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The Classic Studio and the
The Modular Synthesizer and Voltage Control
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aesthetic alter Alvin Lucier amplified aspects audience avant-garde Babbitt Buchla Cage changes clarinet classic studio collage Cologne Columbia Columbia Records composer's composers concert control voltage created creative Deutsche Grammophon developed disc duration effects electronic music electronic sound ensemble equipment event example experience fact filters flute hear heard HPSCHD improvisation instruments interest Joel Chadabe John Cage keyboard listening live performance loop loud-speakers Luening machine material medium ment microphone Milton Babbitt modules monaural Moog musicians musique concrete noise Nonesuch Nonesuch recording notation orchestra oscillator particular passage Pauline Oliveros percussion perhaps phonograph piano piece pitch playback played players posers possible prerecorded present produced radio RCA synthesizer realization reference rhythmic ring modulator score Solo soloist sonic sonorities sound sources speed splicing stereo Stockhausen Subotnick tape composition tape music tape recorder techniques theater timbral timbre tion tonal tone traditional unique University Ussachevsky Varese violin visual voice voltage-controlled Webern