Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters, to which is Prefixed a Résumé of the Earlier Drama from Its Beginnings, Band 1
Houghton Mifflin, 1908
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acted actors already appears called Chambers character chronicle play classical comedy concerned contemporary continued court death Dekker drama earlier earliest early Edward effect element Elizabeth Elizabethan employed England English example Fair figures Fleay Fletcher followed Greene Hamlet hand Henry Henslowe Humor influence interest interlude Italian Italy John Jonson King known Lady later Latin less literature London Lord lost Lyly manners Marlowe master mentioned miracle morality murder nature once original performance person personages Plautus play plot poet popular present Prince printed production Publications Queen referred reign relation religious remains represented revenge Richard romantic royal satire scene seems Shake Shakespeare Spanish spirit stage story success suggested theaters theme Thomas tion tragedy translation true turn universities wife written young
Seite 491 - Nay, their endeavour keeps in the wonted pace : but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for 't : these are now the fashion, and so berattle the common stages— so they call them— that many wearing rapiers are afraid of goose-quills and dare scarce come thither.
Seite 266 - How would it have joyed brave Talbot, the terror of the French, to think that after he had lain two hundred years in his tomb, he should triumph again on the stage and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who, in the tragedian that represents his person, imagine they behold him fresh bleeding...
Seite 492 - O that Ben Jonson is a pestilent fellow ; he brought up Horace, giving the poets a pill ; but our fellow Shakespeare hath given him a purge, that made him bewray his credit.
Seite 224 - I have been told by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and he only gave some master-touches to one or two of the principal parts or characters...
Seite 228 - From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword.
Seite 492 - Few of the university pen plays well; they smell too much of that writer Ovid and that writer Metamorphosis, and talk too much of Proserpina and Jupiter. Why, here's our fellow Shakespeare puts them all down, aye, and Ben Jonson too.
Seite 290 - The Famous History of Sir Thomas Wyat. With the Coronation of Queen Mary, and the coming in of King Philip.
Seite 169 - What child is there that, coming to a play, and seeing Thebes written in great letters upon an old door, doth believe that it is Thebes?
Seite 240 - Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough, That sometime grew within this learned man. Faustus is gone : regard his hellish fall, Whose fiendful fortune may exhort the wise Only to wonder at unlawful things, Whose deepness doth entice such forward wits To practise more than heavenly power permits.
Seite 115 - In comedies the greatest skill is this, rightly to touch All things to the quick ; and eke to frame each person so, That by his common talk you may his nature rightly know : A roister ought not preach, that were too strange to hear, But as from virtue he doth swerve, so ought his words appear : The old man is sober, the young man rash, the lover triumphing in joys. The matron grave, the harlot wild, and full of wanton toys.