Envisioning Others: Race, Color, and the Visual in Iberia and Latin America

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BRILL, Oct 5, 2015 - History - 382 pages
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what ‘race’ meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world.
Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe.
 

Contents

Race Color and the Visual in Iberia and Latin America
1
The Black Madonna of Montserrat An Exception to Concepts of Dark Skin in Medieval and Early Modern Iberia?
18
Visualizing Black Sanctity in Early Modern Spanish Polychrome Sculpture
51
The Color of Salvation The Materiality of Blackness in Alonso de Sandovals De instauranda Aethiopum salute
83
Imagined Transformations Color Beauty and Black Christian Conversion in SeventeenthCentury Spanish America
111
White or Black? Albinism and Spotted Blacks in the EighteenthCentury Atlantic World
142
Making Race Visible in the Colonial Andes
187
From Casta to Costumbrismo Representations of Racialized Social Spaces
213
Tropical Dreams Promoting Brazil in NineteenthCentury us Media
241
The Form of Race Architecture Epistemology and National Identity in Fernando Chueca Goitias Invariantes castizos de la arquitectura española 1947
266
Race and the Historiography of Colonial Art
303
Selected Bibliography
323
Index
362
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About the author (2015)

Pamela A. Patton (PhD 1994, Boston University) is Director of the Index of Christian Art at Princeton University and the author of two books and multiple articles on medieval Iberian art, including Art of Estrangement: Redefining Jews in Reconquest Spain (Penn State, 2012).

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