Epistemología y ciencias sociales

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Universitat de València, 2001 - 128 páginas
 

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abstracción actitud actual adaptación ámbito análisis cálculo de probabilidades categorías cial ciedad ciencias sociales científico ciología ción social comportamiento concepción concepto de sociedad conceptual conciencia concreta conforme considera constatación constituye control crítica cualitativo cuantitativo cuestión cuestionarios datos debe desarrollo determinados distintos Durkheim economía efectos ejemplo Émile Durkheim empresa encuesta entrevista entrevistado esencial específicas espíritu estadística estructura estudio longitudinal estudios del mercado existente experiencia fenómenos filosofía formación función fundamentalmente generalización grupos Hegel ideas ideología individual individuos innu investigación empírica investigación social empírica Jenaro Talens jóvenes juventud Max Horkheimer Max Weber medida mente métodos métodos empíricos modo muestra mundo nacionalsocialismo obje objeto opinión organización podría política posible positivista precisamente preguntas problemas procedimientos producción propio psicología psicosociales punto de vista reacciones realidad social relación René König resultados Schelsky sentido situación social research sociología alemana sociología empresarial Stuttgart sujetos técnicas tendencia teoría teoría crítica teórico tests Theodor W totalidad social universal utiliza variables

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Sobre el autor (2001)

Theodor W. Adorno is the progenitor of critical theory, a central figure in aesthetics, and the century's foremost philosopher of music. He was born and educated in Frankfurt, Germany. After completing his Ph.D. in philosophy, he went to Vienna, where he studied composition with Alban Berg. He soon was bitterly disappointed with his own lack of talent and turned to musicology. In 1928 Adorno returned to Frankfurt to join the Institute for Social Research, commonly known as The Frankfurt School. At first a privately endowed center for Marxist studies, the school was merged with Frankfort's university under Adorno's directorship in the 1950s. As a refugee from Nazi Germany during World War II, Adorno lived for several years in Los Angeles before returning to Frankfurt. Much of his most significant work was produced at that time. Critics find Adorno's aesthetics to be rich in insight, even when they disagree with its broad conclusions. Although Adorno was hostile to jazz and popular music, he advanced the cause of contemporary music by writing seminal studies of many key composers. To the distress of some of his admirers, he remained pessimistic about the prospects for art in mass society. Adorno was a neo-Marxist who believed that the only hope for democracy was to be found in an interpretation of Marxism opposed to both positivism and dogmatic materialism. His opposition to positivisim and advocacy of a method of dialectics grounded in critical rationalism propelled him into intellectual conflict with Georg Hegel, Martin Heidegger, and Heideggerian hermeneutics.

Información bibliográfica

TítuloEpistemología y ciencias sociales
Colección Fronesis cátedra
Colección Frónesis
Frónesis Series
Frónesis: Universitát de València
AutorTheodor W. Adorno
Ediciónilustrada
EditorUniversitat de València, 2001
ISBN843761922X, 9788437619224
N.º de páginas128 páginas
  
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