Ernesto Cardenal Para Niños

Front Cover
Ediciones de la Torre, Jan 31, 1990 - Juvenile Fiction - 126 pages
Vida y obra de este poeta están íntimamente ligadas. Podemos decir de él que "nada humano es ajeno". Él mismo reconoció que hizo sus primeros versos cuando aún era muy pequeño, pues se sintió inclinado hacia la poesía desde muy niño.

What people are saying - Write a review

We haven't found any reviews in the usual places.

Selected pages


Section 1
Section 2
Section 3
Section 4
Section 5

Other editions - View all

Common terms and phrases

About the author (1990)

An ordained priest who lives in Solentiname, a community that he founded, and a member of the Nicaraguan cabinet, Ernesto Cardenal is Latin America's best known exponent of what might be called the literature of the theology of liberation. His poetry is the expression of tension between his faith and a strongly rooted sense of reality and the need for drastic change. Influenced heavily by Thomas Merton, by his residence in the Trappist community of Gethsemane, Kentucky, by English and American poetry, Christianity, and the fact of social injustice, Cardenal consciously writes antirhetorical and often didactic poetry. Frequently, he uses other sources: newspapers, Native American texts, and so on, just as the masses at Solentiname use nontraditional sources as subjects for discussion. Zero Hour (1980) details the existence of tyranny in America; the Psalms (1981) are a rewriting of the biblical Psalms of David for a modern world. The Gospel in Solentiname (1982) is a collection of dialogues or commentaries on the Gospels. Cardenal served as minister of culture in the government organized after the 1979 ouster of Anastasio Somoza in Nicaragua.

Bibliographic information