Sexy, provocative and challenging, Espresso is a rich, dark, bitter hit of comedy and sensuality. One of Lucia Frangione’s blasphemy plays,’ it inverts the Catholic stereotypes of feminine sexuality to boldly examine their corresponding masculine sexual emblems of Father, Son and Holy Ghost. In an erotic world where men are traditionally cast as either fathers to be looked up to or sons to be looked after, where, for women, is the possibility of a flesh-and-blood lover, challenging her to open her heart without trespassing her will—a lover as he appears in the Song of Solomon: passionate, earthy, creative, vulnerable and beautiful— the avatar of the holy spirit? There has been a horrible car crash, and Vito, the patriarch of an immigrant family, has had his body smashed and his heart lacerated, his life hanging by threads of tubes and wires in an intensive care ward. His family has rushed in from all over the country for an anxious vigil of hope, prayer and memory by his bedside. In this crucible of anxiety, a single actress alternately narrates and enacts her own and her family’s history along with an uninvited narrator/actor, Amante (“lover” in Italian). As Amante engages all the women of the clan Rosa plays in a swirl of sharply portrayed characters—Vito’s mother, Nonna, forced into marriage at 13 but only now, at 67, experiencing the first intimations of her body’s desire; the pit-bull martyrdom of Vito’s second wife, Vincenza; and Rosa herself in her own thin, urbane skin stretched tight to hold in the red, passionate blood that boils just below the surface—we are never sure whether Rosa has created Amante or he has created her.
Cast of 1 woman and 1 man.
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AMANTE as CHARLOTTE AMANTE as CHINZ AMANTE as DOCTOR AMANTE as MINUCCIA AMANTE as NEIGHBOUR AMANTE as NONNA AMANTE as ROSSANO AMANTE as VITO AMANTE sits better biscotti bitch blood Cannelloni cigarette Cinzella damn dark dead door drink espresso cup espresso maker father feel feet fucking gasps gonna grabs grief hair hate heart hell hospital husband Italian Italy kisses Let him live look Lucia Frangione married morning Mother narration never nice night okay Ottawa Papa passionate pause Piccola Rana pray Prosciutto rapini ROSA as CHINZ ROSA as NONNA sangwich shit shouts sidewalk sing skinny sleep smell smoke Song of Solomon speak story talk tell there's Tony touch VTTO waiting room walk wedding invitations whispers woman women worry wouldn't know love Yeah