ESQUISSE DE LHISTOIRE DE LHARM
F tis' Esquisse, a chronicle of the theoretical tenets of harmony from Franco of Cologne (1230-50) to 1840, is the first known history of harmonic theory. This work predates Hugo Riemann's impressive Geschichte der Musiktheorie im IX.-XIX. Jahrhundert by more than fifty years. Yet little is known about F tis' Esquisse and few copies are extant. As one of the most lucid musicologists of this time and one of the first to consider the past with an artistic interest, F tis knew and understood the historical aspects of the art. As a composer and teacher of composition, he appreciated the need for a systematic presentation of musical materials. As a theorist, he had examined and studied the writings of theorists throughout the ages.
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according alteration arithmetic progression ascending augmented b-flat basso continuo cadence Catel century chap chord g chromatic complete composed composition Conservatory consonant and dissonant consonant harmony consonantiae counterpoint d-sharp degree of suavity descending diminished third dissonant chords dominant seventh chord double edition Esquisse Euler example Fetis Feus figured bass fourth degree fugue fundamental bass genre gives harmonic progression harmonic system harmonic theory idea intervals inversion l'harmonie leading tone leading-tone Levens Marpurg melodic minor fifth minor seventh minor sixth minor third modulation Momigny Monteverdi musicians musique natural chords natural dissonant ninth octave Paris perfect chord perfect fifth perfect major chord plainchant principle prolongation proportion published Rameau ratio Reicha repose result Revue musicale Roussier rules Sabbatini scale degree second degree semitone sixth chord sixth degree sonorous bodies Sorge sounds string substitution succession Tartini theorists theory of harmony Thorough-Bass tion tonality tonic Traite d'harmonie translation treatise triad voices Wangermee