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The Texts and the Themes
The Theory of Forms
The Theory of Forms and the Concept of Culture
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According to Simmel aesthetic analysis artifact ascribed aspects autonomous become Castalia coherent completely comprehended conceived concept consequence Consider constitute contents continuity contrary criteria criterion cultural value defined definitive distinction elements entity epistemological essay event existence existential experience expression fact fashion Feuilleton fragmentary fragments function Georg Simmel given Glass Bead Game Heinrich Rickert Heraclitus hermeneutic historian historical interpretation historical knowledge historical person historical significance historical understanding historicism history of philosophy human idea identify immanent interpretation independent individual insofar intellectual interest interpretandum Kant logical logically independent meaning mental processes mind mode necessary condition objective culture perspective phenomena phenomenon philosophical anthropology Philosophy of History possible principle priori problem produce properties psychological purely qualify reality reference reification relationship represented sense sequence Simmel argues Simmel claims Simmel's theory sort specific status structure subjective Suppose synthesis temporal location theory of forms thesis tion totality transcends truth ultimate