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Myth as a Basis of Dramatic Structure in Orpheus Descending
An Argument for Complexity
Realism and Theatricalism in A Streetcar Named Desire
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Abigail accept Afraid of Virginia Albee's American anti-Semite Arthur Miller audience Austin Award becomes Blanche Blanche's Buried Child characters Charlie and Nancy Chris Christ comedy Cowboy Mouth critics Crow Crucible death dream dying Edward Albee emotional face fact father feelings film final Gentleman Caller George Glass Menagerie guilt Hoss human Ibid illusion Incident at Vichy Jabe Jerry Jerry's Joe Keller's Julian Keller Lady Laura Leduc Leslie and Sarah light live Mad Dog Blues Martha menace myth mythic Nick Orpheus Orpheus Descending Peter play's playwright Proctor produced Quentin realism reality reveals rock role Rose Tattoo Salem Sartre Sartre's says scene Serafina Shepard social spiritual stage Stanley Streetcar Named Desire symbolic tells Tennessee Williams Theatre theatrical thing Tiny Alice Tooth of Crime True West violence Virginia Woolf wants Who's Afraid wife Williams's witchcraft writing York Zoo Story