What people are saying - Write a review
We haven't found any reviews in the usual places.
Myth as a Basis of Dramatic Structure in Orpheus Descending
An Argument for Complexity
Realism and Theatricalism in A Streetcar Named Desire
16 other sections not shown
Other editions - View all
Abigail accept Afraid of Virginia Albee's American anti-Semite Arthur Miller audience Austin Award becomes Blanche Blanche's Buried Child characters Charlie and Nancy Chris Christ comedy Cowboy Mouth critics Crow Crucible death dream dying Edward Albee emotional face fact father feelings film Gentleman Caller George Glass Menagerie guilt Hoss human Ibid illusion Incident at Vichy Jabe Jerry Jerry's Joe Keller Julian Lady Laura Leduc Leslie and Sarah light live Mad Dog Blues Martha menace Modern Drama myth mythic Nick Orpheus Descending Peter play's playwright Proctor produced Quentin realism reality reveals rock role Rose Tattoo Salem Sartre Sartre's says scene Serafina Shepard social spiritual stage Stanley Streetcar Named Desire structure symbolic tells Tennessee Williams Theatre theatrical thing Tiny Alice Tooth of Crime True West violence Virginia Woolf wants Who's Afraid wife Williams's witchcraft writing York Zoo Story