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THE NATURE AND VALUE OF RHYTHMIC MOVEMENT l22
THE TECHNIQUE OF MOVING PLASTIC 1922
THE INNER TECHNIQUE OF RHTTHM 1925
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accent acquainted action Adolphe Appia aesthetic agogic analyse artistic attempt balance beauty become Beethoven blind bodily movements body capable child cinema conscious continuous movement contrasts counterpoint create develop direct duration dynamic effect elements emotion enable equilibrium Eurhythmics exercises experience faculties feel fingers frequently gestures give hand harmony hearing human idea imagination impression impulses individual influence instinct instrument intellectual interpretation Isadora Duncan lack lessons limbs Llongueras lyric theatre manifestations master melody ment mental mind modified motor moving plastic Mozart muscles muscular muscular system musical expression musical rhythms musical temperament musician nervous nuances orchestra personality phrasing physical pianist piano pianoforte play polyrhythm powers progress pupils realise recognise relations result rhythmic gestures rhythmic gymnastics rhythmic movement sensations sense sensibility singing solfege songs sound space spontaneous stringed instrument style suppleness teachers teaching technique temperament theatre thought tion tonal various walking words