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THE MUSIC OF BELA BARTOK
ARNOLD SCHONBERGS DEVELOPMENT
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achieved aesthetic artistic atonal ballet Bartok Beethoven Berg cantata century chamber music characteristic choral chords chromatic clarinet classical colour complete composer's composers composition contemporary music contrapuntal counterpoint creative Debussy diatonic dissonant dodecaphony dramatic early effect elements entirely example expression figure folksong French music harmonic Hindemith Honegger ideas idiom important influence instrumental interest Italian later less logical lyrical Mahler material ment Messiaen methods Milhaud musicians neo-classicism never notes opera orchestra organised original ostinato particularly passages percussion performance period Piano Concerto pieces polyphony popular posers Poulenc problem pupil Ravel realised remarkable rhythmic rhythms Rite of Spring romantic Roussel Russian Satie Satie's Schonberg score second movement seems serial Skalkottas solo Sonata songs sonorities Soviet Stravinsky String Quartet structure style stylistic success Suite Symphony talent technique texture theatre thematic theme third tion tonal tradition twelve-note twelve-note technique variation Violin Concerto vocal Webern Wozzeck writing written