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PLANNING AND PREPARING FOR REHEARSAL
Communication as a Rehearsal Technique
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ability accompanist acoustic Ask choir audiation aural awareness basic beat become beginning body breath Chapter choral conductors choral ensemble choral rehearsal choral sound clapping closed vowel color conducting gesture consistent tempo consonants count singing Dalcroze diction dynamic Edwin Gordon elements Emile Jaques-Dalcroze energy Eurhythmics Evoking Sound exercises experience Figure forward hear important intonation James Jordan kinesthetic Laban language Layer legato listening literacy melodic rhythm meter microbeats microphone move movement music aptitude music learning musical line musical phrase musicians neutral syllable Note Grouping pattern pedagogical performance phantom power piano pitch and rhythm problems pulse recording Rehearsal DVD rehearsal process rehearsal technique renaissance music resonance responsibility rhythm learning Rhythm Syllables rhythmic Rider University Robert Shaw schwa singers solfege solfege syllables space sung Tarik O'Regan taught teachers tonal tongue tune understanding vocal vocal technique voice vowel sounds weight Westminster Choir College Weston Noble words