Faultlines: Cultural Materialism and the Politics of Dissident Reading
University of California Press, 1992/09/28 - 365 ページ
If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.
New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.
Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.
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absolutist Alan Sinfield Allan Bloom American Arcadia argued argument audience authority believe Books Calvin Cambridge Univ chapter character Christian claim contradictions course criticism cultural Defence Desdemona discourses dissident divine doctrine dominant Donne Donne’s early modern Elizabethan England English Englit Faustus feminine gender God’s Greenblatt Greville Hamlet hence Henry historicism History human humanist idea ideology individual instance institutions intellectuals James John Jonathan Dollimore Jonathan Goldberg Julius Caesar killing king Lady Macbeth legitimate literary Literature London Louis Montrose male masculine Methuen monarch nature Olivia one’s Othello pagan plausible play poet Poetics poetry political produce protestant protestantism puritan Queen question quoted Reformation religion Renaissance Richard role Royal says seems sexual Shakespeare Sidney’s Sinfield Sir Philip Sidney social society Stephen Greenblatt Stephen Orgel story strategy structure subcultures Tamburlaine theater theory things thou thought traditional Tragedy trans unity violence William William Perkins women writing York