Feminist Aesthetics and the Politics of Modernism

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Columbia University Press, Oct 30, 2012 - Philosophy - 288 pages
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Despite the prominence of feminist theory in literary, film, and visual arts critique, feminist theories of aesthetics remain rare, obscuring a crucial chapter in women’s history. Ewa Plonowska Ziarek redresses this oversight through a full articulation of feminist aesthetics, focusing on the struggle for freedom in women’s literary and political modernism and the devastating impact of racist violence and sexism. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women’s literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender.

Ziarek examines the contradiction between women’s transformative literary and political practices and the oppressive realities of racist violence and sexism. She situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Her political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Feminist Aesthetics and the Politics of Modernism profoundly reorients common interpretations of Woolf and Larsen, as well as the history of suffrage militancy. By bringing seemingly apolitical, gender-neutral debates about modernism’s experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art’s emancipatory potential at the expense of feminist and anti-racist political struggles.

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On Loss Invention and the Dilemmas of Feminist Aesthetics
Revolutionary Praxis and Its Melancholic Impasses
Femininity and Revolt
2 Melancholia Death of Art and Womens Writing
3 Woolfs Aesthetics of Potentiality
Female Bodies Violence and Form
Rethinking the FormMatter Divide in Feminist Politics and Aesthetics
4 Abstract Commodity Form and Bare Life
5 Damaged Materialities in Political Struggles and Aesthetic Innovations
Toward a Feminine Aesthetics of Renaissance
Letters Curse and Black Laughter

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About the author (2012)

Ewa Plonowska Ziarek is Julian Park Professor of Comparative Literature at the State University of New York, Buffalo. She is the author of An Ethics of Dissensus: Feminism, Postmodernity, and the Politics of Radical Democracy and coeditor of Revolt, Affect, Collectivity: The Unstable Boundaries of Kristeva’s Polis and Intermedialities: Philosophy, Art, Politics.

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