Femmes Fatales: Feminism, Film Theory, Psychoanalysis

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Psychology Press, 1991 - Literary Criticism - 312 pages
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In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. Femmes Fatales examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade,
 

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User Review  - echaika - LibraryThing

You either love Doane or you don't. I do, even if I don't agree with all of her analyses, but hers are, to me, worth considering. Read full review

Contents

THEORETICAL EXCURSIONS
11
Theorizing the Female
17
Further Thoughts on
33
Closeups of the Woman
44
Psychical and Historical
76
Epistemology as Striptease
99
La Signora di tutti
119
Pandoras Box
142
When the direction of the force acting on the body
188
Epistemologies of Racial and Sexual
209
Sublimation and the Psychoanalysis of the Aesthetic
249
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