Film Before Griffith |
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Contents
Introduction | 9 |
Survival | 22 |
PETER MORRIS Images of Canada | 67 |
ISTVÁN NEMESKÜRTY In the Beginning 18961911 | 75 |
The Features Begin | 81 |
ALLAN T SUTHERLAND The Yorkshire Pioneers | 92 |
Introduction | 101 |
Ultrarealism in the Pre1910 Motion | 116 |
BURNES ST PATRICK HOLLYMAN Alexander Blacks Picture Plays 1893 | 236 |
KATHERINE SINGER KOVÁCS George Méliès and the Féerie | 244 |
KEMP R NIVER Paper Prints of Early Motion Pictures | 258 |
ELIZABETH GROTTLE STREBEL Imperialist Iconography of AngloBoer | 264 |
The State of Film Narrative | 272 |
BARRY SALT The Early Development of Film Form | 284 |
MARSHALL DEUTELBAUM Structural Patterning in the Lumière Films | 299 |
ANDRÉ GAUDREAULT Temporality and Narrativity in Early Cinema 1895 | 311 |
Traveling Film Exhibitor | 131 |
Initial Patterns of American | 144 |
ALAN WILLIAMS The Lumière Organization | 153 |
JEANNE THOMAS ALLEN Copyright and Early Theater Vaudeville and Film | 176 |
Austin Texas | 188 |
GARTH S JOWETT The First Motion Picture Audiences | 196 |
DAVID LEVY Edison Sales Policy and the Continuous Action Film | 207 |
Introduction | 225 |
The Mill Girl | 330 |
Women Magic and the Movies | 339 |
The Space in Early | 355 |
EILEEN BOWSER Griffiths Film Career Before The Adventures of Dollie | 367 |
375 | |
383 | |
389 | |
Common terms and phrases
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