Film Noir: From Berlin to Sin City
Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and this book is an indispensible guide to this popular genre.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Abel Ferrara Alfred Hitchcock Anthony Mann Bardo become Big Clock Big Heat Black Bogart Brian De Palma Caligari camera cause-and-effect characters cinema City Sin City Coen Colfax crime films cycle Damico Dark City determinism discursive Double Indemnity dream expressionist Femme Fatale film noir film’s flashback frame François Fritz Fritz Lang gang genre German Gilda Grayle hard-boiled fiction heist Hollywood interpellations intertextual investigation James Joel Coen John Johnny kill Killers Kitty Lady Lang’s Lantier Laure Laure’s Love Song Mabuse Madeleine Maltese Falcon Marlowe Marlowe’s masculinity melodramas Michael Miller’s Mobley Moose movie Munby murder Naremore narration narrative neo-noir Night noir’s noirish novel Pépé Pépé le moko plot poetic realism police Postman Always Rings produce protagonists relationship Rings Twice Riordan Robert Siodmak Scarlet Street sense sequence sexual shot Sin City social story Strassenfilm Street suggests Swede Sweet tells Third Floor thriller trajectory visual style voice-over Weimar Window woman