Film Production Theory: Social Impacts of Sydney 2000

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SUNY Press, Mar 31, 2000 - Performing Arts - 308 pages
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Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses.

Geuens reevaluates what cinema could be, to revive its full powers and attend to the mystery of the creative process. To counter Hollywood's normative machinery, he suggests taking back from the professionals important notions they have arrogated for themselves but rarely act upon: artistry, passion, and engagement.

 

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Contents

Cinema The State of the Art
1
ArtEntertainment
35
The Film School
55
Writing
81
Staging
111
Lighting
149
The Frame
171
Sound
197
Editing
225
Envoi
255
Notes
261
Index
301
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About the author (2000)

Jean-Pierre Geuens teaches film in Los Angeles.

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