Finding Your Writer's Voice: A Guide to Creative FictionAn illuminating guide to finding one's most powerful writing tool, Finding Your Writer's Voice helps writers learn to hear the voices that are uniquely their own. Mixing creative inspiration with practical advice about craft, the book includes chapters on: |
Contents
Telling Begins in an Atmosphere of Urgency | 3 |
Voice Your Most Powerful Tool | 5 |
The Writer as Singer | 8 |
The Importance of Raw Voice | 10 |
The Voice as an Instrument | 15 |
Inner Listening | 20 |
Distilling Voice | 24 |
Inviting Accidents | 26 |
Working with Third Person Discovering a Narrative Persona | 111 |
Secrets as a Key to Character | 117 |
Finding Dialogue through Impersonation | 122 |
Voice and Tone | 127 |
To Plot or Not to Plot | 133 |
Gender Bending Race Switching and Beyond | 139 |
Unity Discovering a Storys Design | 145 |
Returning to the Pressure Cooker | 152 |
Listening to the Voice of Childhood | 28 |
Public and Private Voices | 32 |
The Sound of Colloquial Voice | 35 |
The Chorus of Voice | 38 |
Whos Speaking? Voice and Character | 41 |
Capturing the Inner Critic | 46 |
Learning to Spot the Imposter | 49 |
The Writer as Presence | 54 |
Becoming a Prose Thief | 58 |
Using the Journal Dangerously | 61 |
Writing in the Pressure Cooker Leading Raw Voice into the Story | 65 |
If | 68 |
Craft and the Voice of the Story | 73 |
Going Deeper into the Story Voice as Composer and Instrumentalist | 77 |
From Anecdotes to Stories | 80 |
Catalysts for the Story Character Plot and Vision Driven Stories | 85 |
Working with Short Forms to Discover Your Story | 90 |
Point of View | 97 |
Meeting the FirstPerson Narrator | 103 |
Revision Exploding the Myth | 159 |
The Art of Reading Your Own Fiction | 164 |
Should Dick Have a Beard? Meeting Your Editors | 169 |
Listening for the Story Editor | 173 |
Listening for the Sentence Editor | 179 |
The Timing of Revision | 184 |
How to Surprise Yourself in the Middle of Your Story | 187 |
Filtering Feedback | 191 |
When to Rewrite from Scratch | 196 |
Talking to the Stranger Another Angle on Revision | 200 |
Returning to Raw Voice | 205 |
Voice over the Long Haul | 208 |
Audacity and Ruthlessness DeConstructing a Writers Life | 213 |
The Writer as Character | 217 |
Writing during Hard Times | 221 |
Some Truths about TruthTelling | 226 |
The Importance of Lying | 233 |
Becoming Your Own Sovereign | 237 |
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Finding Your Writer's Voice: A Guide to Creative Fiction Thaisa Frank,Dorothy Wall Limited preview - 1994 |
Common terms and phrases
acter alchemy anecdote Anne Rice become begin Billy Bathgate body breath CHAPTER char colloquial create David Ignatow develop dialogue discover Donald Barthelme DOROTHY WALL draft dramatic dream emotional exciting exercise experience feedback feel fiction first-person narrator freewriting give going happened hear images imagination important imposter voice improvisation inner critic Jamaica Kincaid Josephine Hart kind language leap Leibniz listening lives look narrative narrator's voice natural voice never Notice novel persona voices phrases plot point of view Pressure Cooker push raw voice Raymond Carver reader remember revision rewrite rhythms scene secret sense sentence editor shape shifts someone Sometimes speak spontaneous story editor story's surprised talk tell a story tence tension there's things third person told tone truth unity vision what's William Styron woman words Write a story writer's voice written wrote