Fix it in Post: Solutions for Post Production Problems

Front Cover
Taylor & Francis, 2009 - Computers - 236 pages
1 Review
This book provides an array of concise solutions to the wide variety of problems that are faced by postproduction artists in the post process. With an application-agnostic approach, it gives proven, step-by-step methods to solving the most frequently encountered postproduction problems. Also included is access to a free, password-protected website that features application-specific resolutions to the problems presented, with fixes for working in Apple's Final Cut Studio suite, Avid's Media Composer, Adobe Premiere Pro, as well as other applications.

Lessons are enhanced through eye-catching 4 color illustrations throughout. Solutions are provided for common audio, video, digital, editorial, color, timing and compositing problems, such as, but not limited to:
* automated dialogue replacement, adjusting sync, and correcting pitch
* turning SD into HD (and vice-versa) and restoration of old film for video
* removing duplicate frames, repairing corrupt frames, and anti-aliasing
* maintaining continuity, removing soft cuts, and troubleshooting timecodes
* adding vignettes, removing color casts, and legalizing color
* speeding shots up or slowing shots down, and smoothing timelapse
* reframing shots, sky replacement, and object addition or removal

The book is presented in a "cookbook" format, allowing you to reference your exact problem in the TOC or index, go to that section, and immediately implement the solution featured.

* Concise solutions to a broad range of problems commonly encountered in postproduction, with solutions for problems with video, audio, compositing, color, editing, timing, and more
* 4-color presentation engages and provides vibrant visual guidance to solutions
* Application-agnostic approach provides solutions to problems regardless of the software being used
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Chapter 1 Introduction
3
Chapter 2 Essential Techniques
9
Chapter 3 Fixing Lens Problems
35
Chapter 4 Fixing Video Problems
55
Chapter 5 Fixing Film Problems
75
Chapter 6 Fixing Digital Problems
95
Chapter 7 Fixing Audio Problems
109
Chapter 8 Fixing Color Problems
123
Chapter 9 Fixing Compositional Problems
149
Chapter 10 Fixing Timing Problems
171
Chapter 11 Fixing Editorial Problems
187
Appendix 1 Basic Strategies
201
Appendix 2 Reference Data
211
Index
221
Copyright

Other editions - View all

Common terms and phrases

About the author (2009)

After working for some time in the field of computer animation, Jack went to work for Kodak's brand-new Cinesite Digital Lab. It was the first of its kind anywhere in the world, the aim being to reproduce all laboratory processes in the digital domain. It remains one of the leading post-production houses that uses digital intermediates. While at Cinesite, Jack worked on HBO's "Band of Brothers," which incorporated 10 hours of finished film, all to be scanned, edited and finished digitally. He was a member of the team that established and designed procedures and protocols which later became industry-standard. His core expertise is in establishing workflows of data management, film restoration, and conforming (making sure the final edit matches exactly what the editor of a film has cut--procedures which have widely been adopted elsewhere. Since leaving Cinesite, Jack has worked on the digital intermediates of many feature films including Miramax's "Cold Mountain.

Bibliographic information