Flemish Manuscript Painting in Context: Recent Research

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Elizabeth Morrison, Thomas Kren, J. Paul Getty Museum, Courtauld Institute of Art
J. Paul Getty Museum, 2006 - Art - 198 pages
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A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold.

 

Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.

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Contents

The Figure of Alexander the Great under the Rule
27
chapter 4 The Role of Dress in the Image of Charles the Bold Duke of Burgundy
43
Techniques Media and the Organization of Production
57
Copyright

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About the author (2006)


Elizabeth Morrison is associate curator of manuscripts, and Thomas Kren is curator of manuscripts, both at the Getty Museum.

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