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A Perfect Art
Music in the Church
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aesthetic angels Antwerp artistic Authorized reproduction bass Binchois Bruges Brussels Burgundian Burgundy canon cantor cantus firmus chansons chants chapel Charles choir book church composers composition contrapuntal counterpoint court dance Dufay Duke engraving ensemble fauxbourdon fiddle fifteenth and sixteenth Flemings Flemish Flemish music flute fourteenth century French frottola German Gombert Gregorian harp imitation instruments Italian Italy Johannes Josquin Desprez Lassus Liege liturgical Low Countries lute madrigal Magnificats manuscript Mary of Hungary mass master Maximilian medieval melody Middle Ages Miniature Missa motets musique notes Obrecht Ockeghem organ Paris Philip Philippe de Monte pieces Pierre plain-chant played polyphonic polyphonic music portative organ princes psalms published religious music Renaissance repertory rhythm rhythmic Roland de Lassus sackbut Saint secular shawm siecle sing singers sixteenth century songs Souterliedekens style sung Susato technique teenth century tenor theorists Tinctoris tion tradition trumpet tury voices Willaert written