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The artistic approach
The artistic climate before and during the time of the Van Eycks
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Adoration angels Annunciation Antwerp archives attributed background Berlin blue Bruges Brussels central panel Christ Church of St cloak colour composition contours Crucifixion decorative Detail Dieric Bouts diptych documents donor Dormition Duke enrolled as master evident Eyck's face fact feeling fifteenth century figures Flanders Flemish painting Flemish Primitives flesh-tints forms Frankfurt Gallery in London Gerard David Ghent Goes green Groeninghe Museum guild of artists Hubert van Eyck Hugo Isenbrandt Italian Jacques Daret Jan Memlinc Jan van Eyck Jean Johnson Collection Josse van Wassenhove landscape Last Judgment left volet light Louvain Louvre Madonna Magi Mary Magdalene Master of Flemalle Memlinc mentioned Metropolitan Museum Munich Musees Royaux Mystic Lamb National Gallery painter Petrus Christus picture Pieta Portinari Portinari Altarpiece portrait Prado Quentin Metsys Roger Royaux des Beaux-Arts Royaux in Brussels saints shades shadows shows St Anne Altarpiece St John St Pierre style technique tonal Tournai triptych Virgin and Child Weyden