Flying Dutchmen: Motion in Architecture

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Springer Science & Business Media, Jun 1, 2002 - Architecture - 93 pages
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Since Vitruvius described in his famous work not only fixed buildings but also mobile objects and constructions, the possibility of incorporating change and motion into architecture has continued to fascinate architects. Yet it is only since radically new materials and IT media have been developed that the dream has become reality. "Flying Dutchmen" shows the way a selection of innovative Dutch architects have incorporated the issue of movement in their buildings. The examples are drawn by OMA/Rem Koolhaas, NOX Architects, Kas Oosterhuis, UN Studio, NL Architects, Bentham Crouwel, and Herman Hertzberger. The analyses provide a fascinating glimpse into the design process and its results, from sensitive surfaces to dynamic spaces, from aerodynamic forms to interactively linked buildings. Kari Jormakka is Professor for Architecture Theory at the Vienna University of Technology and heads the architectural office Wombat.
 

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Contents

The Language of Speed
9
Living Architecture
17
Framing Movement
24
Architectural Promenades
32
Diagrams
44
Abstract Machines
49
Smooth Space
59
Liquid Architecture
65
Architecture and Dance
70
Space and Motion
75
Objects and Fields
81
Further Reading
90
Copyright

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Page 6 - Yet looking into the matter more closely, we find that all this is but a scholastic delusion. For space, too, is a temporal concept. When a dot begins to move and becomes a line, this requires time. Likewise, when a moving line produces a plane, and when moving planes produces spaces. Does a pictorial work come into being at one stroke ? No, it is constructed bit by bit, just like a house. And the beholder, is he through with the work at one glance? (Unfortunately he often...
Page 6 - Instead we should express the infinite smallness that surrounds us, the imperceptible, the invisible, the agitation of atoms, the Brownian movements, all the passionate hypotheses and all the domains explored by the high-powered microscope.
Page 6 - We stand on the last promontory of the centuries! . . . Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
Page 7 - It is the track made by the moving point; that is, its product. It is created by movement — specifically through the destruction of the intense self-contained repose of the point. Here, the leap out of the static into the dynamic occurs.

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About the author (2002)

Kari Jormakka is Professor of Architectural Theory at Vienna University of Technology and principal of the architectural firm Wombat.

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