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The Novel in Our Time
Technique as Discovery
Techniques of Fiction
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action American appearance artist attitude beauty become Bergotte Bronte captain Cathy character Conrad consciousness criticism death dramatic Dublin Emily Emily Bronte emotional Ernest Hemingway esthetic evil experience fact failure Faulkner's Faux-Monnayeurs feel fiction Flaubert Forster Gide Gide's give governess Heathcliff Hemingway Henry James hero human Huxley imaginative James Joyce Jane Eyre Joseph Warren Beach Joyce kind Lawrence Leopold Bloom literary living Madame Bovary matter McCaslin meaning method Miles mind modern moral moral realism Munn narrative naturalistic nature never novel of ideas novelist objective passage passion perhaps plot point of view present problem reader realistic reality realize Robert Jordan scene Secret Sharer sense sensibility social society soul spirit Stephen story Strether style suggests symbolic technique theme things tion tone tragic Ulysses values Vandover Victorian Virginia Woolf Warren Wild Palms words writing Wuthering Heights