Four Major Plays, Volume 1

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Penguin, 1992 - Drama - 384 pages
Among the greatest and best known of Ibsen's works, these four plays brilliantly exemplify his landmark contributions to the theater: his probing of social problems, realistic dialogue, and depiction of his characters' inner lives as well as their actions. Rich in symbolism and often autobigraphical, each of these dramas deals convincingly and provocatively with the universal human emotions of greed, fear, and sexual hostility, and confronts the eternal conflict between reality and illusion. These Rolf Fjelde translations, newly revised for this edition, have been widely acclaimed as the definitive versions of the major works of the father of modern theater.
 

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Review: Four Major Plays, Vol. 1: A Doll House / The Wild Duck / Hedda Gabler / The Master Builder

User Review  - DalalK. - Goodreads

A Doll House *** Hedda Gabler ** Read full review

Review: Four Major Plays, Vol. 1: A Doll House / The Wild Duck / Hedda Gabler / The Master Builder

User Review  - Elena - Goodreads

The "father of modern drama" lives up to his title. Read full review

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About the author (1992)

Henrik Ibsen was born of well-to-do parents at Skien, a small Norwegian coastal town, on March 20, 1828. In 1836 his father went bankrupt, and the family was reduced to near poverty. At the age of fifteen, he was apprenticed to an apothecary in Grimstad. In 1850 Ibsen ventured to Christiania--present-day Oslo--as a student, with the hope of becoming a doctor. On the strength of his first two plays he was appointed "theater-poet" to the new Bergen National Theater, where he wrote five conventional romantic and historical dramas and absorbed the elements of his craft. In 1857 he was called to the directorship of the financially unsound Christiania Norwegian Theater, which failed in 1862. In 1864, exhausted and enraged by the frustration of his efforts toward a national drama and theater, he quit Norway for what became twenty-seven years of voluntary exile abroad. In Italy he wrote the volcanic Brand (1866), which made his reputation and secured him a poet's stipend from the government. Its companion piece, the phantasmagoric Peer Gynt, followed in 1867, then the immense double play, Emperor and Galilean (1873), expressing his philosophy of civilization. Meanwhile, having moved to Germany, Ibsen had been searching for a new style. With The Pillars of Society he found it; this became the first of twelve plays, appearing at two-year intervals, that confirmed his international standing as the foremost dramatist of his age. In 1900 Ibsen suffered the first of several strokes that incapacitated him. He died in Oslo on May 23, 1906.

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