Frames and framing: in the Ashmolean Museum
Frames fulfil a variety of functions, from the protective to the decorative; they can indicate ownership or they can assert the importance of the paintings they enclose. In their shape and ornamentation, frames are linked to architectural forms or to furniture and interior design, while many styles of decoration can be related to the work of goldsmiths and of sculptors. Few pictures survive in their original frames because of changing ownership: they were re-framed so as to harmonise with different settings, whether in princely galleries or private houses. The way that a picture is framed strongly affects its visual appearance and impact. When a painting retains its original frame, we can appreciate the visual relationship between the two that the artist would have intended. Framings by subsequent owners with different frame styles can tell us much about the taste and priorities of a particular period or place. This book looks at frame history and design in the context of the Ashmolean Museum's collection of frames, and aims to provide a sense of the importance of the picture frame in the history of art as a whole.
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acanthus leaf aedicular frame Alessandro Vittoria altar altarpiece Andrea Vanni antique architectural Art Collections Fund artists Ashmolean Museum auricular back edge Ben Nicholson Bequeathed by Frank border brushwork canvas Carlo Maratta cartapesta cartouche carved and gilt cassetta centre and corner cm Bequeathed cm Presented cm Purchased colour composition decorative motifs derived early ebony eighteenth century elements Elias Ashmole engaged frames England example Ford Madox Brown forms frame appears Frank Hindley Smith French frame frieze gallery frames gesso gests gilding Gothic hollow inscription Italian late Louis XIV Madonna marble moulding profile moulding size National Gallery ogee ogee moulding oil-sketch original frame oval pattern picture frames Pine Poplar re-gilded reverse rhythm ripple mouldings rococo Saint Salvator Rosa Scale seen seventeenth century sgraffito sgrafitto Sickert sight edge moulding Sight size sixteenth century stucco tabernacle frame teenth century top edge type of frame Venice Virgin and Child visual relationship water-gilt white frames