Framing Borders in Literature and Other Media
Werner Wolf, Walter Bernhart
Rodopi, 2006 - Language Arts & Disciplines - 482 pages
This book is both a contribution to an interdisciplinary study of literature and other media and a pioneering application of cognitive and frame-theoretical approaches to these fields. In the temporal media a privileged place for the coding of cognitive frames are the beginnings while in spatial media physical borders take over many framing functions. This volume investigates forms and functions of such framing spaces from a transmedial perspective by juxtaposing and comparing the framing potential of individual media and works. After an introductory theoretical essay, which aims to clarify basic concepts, the volume presents eighteen contributions by scholars from various disciplines who deal with individual media. The first section is dedicated to framing in or through the visual arts and includes discussions of the illustrations of medieval manuscripts, the practice of framing pictures from the Middle Ages to Magritte and contemporary American art as well as framings in printmaking and architecture. The second part deals with literary texts and ranges from studies centred on framings in frame stories to essays focussing on the use of paratextual, textual and non-verbal media in the framings of classical, medieval and modern German and American narrative literature; moreover, it includes studies on defamiliarized framings, e.g. by Julio Cortázar and Jasper Fforde, as well as an essay on end-framing practices. Sections on framings in film (including the trailers of Tolkien's The Lord of the Rings) and in music (operatic overtures and Schumann's piano pieces) provide perspectives on further media. The volume is of relevance to students and scholars from various fields: intermedia studies, cognitive approaches to the media, literary and film studies, history of art, and musicology.
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Framing inof Literary Texts
Framing in Film
Framing in Music
Notes on Contributors
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American artefacts artistic audience baldachin capriccio century character cinema cognitive frames concept context contextual framing Cooper’s create defamiliarized defamiliarized framings device diegetic Dieter Roth discourse E. T. A. Hoffmanns ekphrasis embedded story essay example extradiegetic Eyre Affair fact fictional world film frame stories frame story framings framed text framing and framed framing borders framings of frame function of framing Genette genre Giglio Goya’s Hoffmann ibid icon Illustration initial framing interpretation intratextual literary literature Magritte Magritte’s Mandylion Mary of Burgundy means medium metafictional metalepsis miniature mise en abyme mise en cadre movie narration narrative Narratology novel opera overture painting paratexts paratextual framings picture frame play present printed Prinzessin Brambilla reader reading reality reference René Magritte representation represented scene Seuil situation Stein structure textual framings theory tion traditional trailer Univ viewer visual volume window Wolf