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Materials and equipment
Making a beginning
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acrylic Acrylic paint adhesive amateur angle antique applied artist backing board base bench Bernard Dunstan bevelled blade bole bottom mount bradawl burnished canvas carving century clamp coats cut-out mounts cutter cutting the mitres decorative denatured alcohol dimensions double mount drawings drill dry-mounting effect fabric fillet finish frame rebate framing problem Gallery gesso Gilder's gilding glue gold leaf gripped joined knife left hand linen-covered long side mark material measuring metal frame method mitre-cutter mount mat mounting board oil paintings outer panel pencil picture framing piece of glass piece of moulding pilot holes plaster polished rabbet sample corners screw shape shellac short side sight edge Simeon Solomon simple Smallfield straight-edge stretcher strip style surface T-square Tate Gallery technique tenon saw thick tinted tone top edge top mount usually varnished veneer pins vice wash-line mount water-gilding wide width window wood wood stain