François Duquesnoy and the Greek Ideal

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Yale University Press, 2007 - Art - 240 pages
This book is the first in English devoted to Francois Duquesnoy, a central figure in seventeenth-century European sculpture, a rival to Bernini, and a leading light in an artistic milieu that included Poussin and Rubens. Estelle Lingo reconstructs Duquesnoy's pursuit in Rome of a modern artistic practice "in the Greek manner."
Reconstruction of Duquesnoy's Greek ideal enables Lingo to offer new interpretations of his exquisite marble and bronze sculptures. Moreover, she demonstrates that the archeological and poetic vision of Greek art developed by Duquesnoy and his circle formed the basis of Johann Joachim Winclemann's influential Reflections on the Imitation of Greek Works in Painting and Sculpture - thus overturning the long-held assumption that no meaningful distinction was made between ancient Greek and Roman art prior to Winckelmann's work in the eighteenth century. Examining in detail how Duquesnoy developed and employed his "Greek manner," Lingo brings to light the extent of his contributions to European culture and aesthetics, and to the rise of Neoclassicism.
 

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Contents

Two The Tomb and the Portrait
65
The Greek Style and the Cult Statue
113
Four Reflections on Greek Art and the Greek Manner before Winckelmann
161
Notes
182
Bibliography
217
Photograph Credits
233
Copyright

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About the author (2007)

Estelle Lingo is assistant professor of art history, Division of Art History, University of Washington, Seattle.

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