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Challenge to the weaver presented by new materials
SOURCES OF INSPIRATION
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acid dyes alternate picks Alum areas back-strap loom bast fibres boil braid breast beam centre chrome Colour plate core cotton cow hitch crochet cross Detail Direct dyes double warp dye-bath dyed elements extra warps fabric fibres filaments fleece forms give grey half hitch Handweavers heddle Horniman Museum horse-hair ideas inches jute Kachin knitting knot leash bar loom frame macrame main warp materials method mordants Myriam Gilby natural overhand knot passed pendant loop Peter Collingwood pick plain weave polypropylene possible Procion sculptural Sea Drift second shed secured sennit sequence shed stick showing silk simple sisal soft soumak space spun string studio supplementary warps suppliers surface tactile tapestry tapestry weave tassels technique textile texture thick tied top bar twining twist unspun wool vegetable dyes viewer warp ends warping posts weaver Weaver's Workshop weft Winter Sea wool woven hangings woven structures yarn yellow