Functions of the Derrida Archive: Philosophical Receptions
Akademiai Kiado, 2003 - Всего страниц: 129
This dissertation examines the early philosophical receptions to the work of Jacques Derrida, structuring the receptions in the form of an archive. The monograph is composed of three main sections: The Non-Locus of the Archive, The Derrida Archive, and Conclusion: The Margins of Philosophy. The Non-Locus of the Archive examines three ways of conceptualizing the archive: the archaeological or Foucauldian concept as a reaction to the traditional history of ideas, the traditional archive model Foucault attempts to replace, and a deconstructive model which is the first stage in critiquing this traditional/archaeological binary opposition. The Functions of the Derrida Archive are briefly introduced, and the whole issue of the philosophical receptions is related to Derrida's comments on "Colleges and Philosophy" and the essay "The Principle of Reason." The Derrida Archive is divided into Critical and Supporting Receptions. This is an analysis of the Functions that the monograph finds working
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Secularisation and Reconciliation
Другие издания - Просмотреть все
aesthetic Annunciation approach artist background basically beauty became Bible Biblical Bishop Burne-Jones Catholicism Chadwick Christ Christian Church of England Church party Clavigera Collins Collinson colour Combe concept contemporary criticism Crucifixion Dante Gabriel Rossetti depicted despite display divine early Ecce Ancilla Domini English Evangelical exhibition faith figure Ford Madox Brown Gallery Girlhood High Church Holy Family Hunt and Typological Hunt's Ibid influence inspired John John Ruskin Landow letter light Mary Magdalene Mary's medieval Millais Modern Painters mystic Nazarene Newman Oxford Movement pictorial picture's poem Pre-Raphaelite Brotherhood presentation Protestant Raphaelite realism referred reflected regarded religion religious art religious painting religious pictures reveals Roman Catholic Rome Royal Academy Ruskin Saviour scene seen sentiment shown shows Simeon Solomon spectators spiritual suggests theme thought tion Tractarian traditional Treuherz Typological Symbolism Victorian Church Virgin watercolour William Dyce William Holman Hunt William Michael Rossetti wrote young