Gargantua and Pantagruel

François Rabelais

W. W. Norton & Company, 1990 - Fiction - 623 pages

"The dazzling and exuberant comic 'Chronicles' of Rabelais (c. 1483-1552) are a feast of wisdom and laughter. Realism intertwines with carnivalesque fantasy, Renaissance learning with obscene humour to make readers look at the world afresh. Pantagruel, a tale of comic chivalry, satirizes lawyers, theologians and academic buffoons, while Gargantua mocks rash generals, idiotic monarchs and uncouth professors. It champions freedom and laughs at a dirty young giant before he turns into a splendid prince. Sequels lead into more complex and daring laughter and high mythology, often at the expense of Panurge - the mad, word-spinning companion of Pantagruel (who becomes a giant in wisdom, a Renaissance Socrates)." "M. A. Screech's translation captures Rabelais' ingenious wordplay and mastery of language. The introduction explores his individuality while comparing him to Shakespeare, and presents each book to open up the new horizons of Renaissance Europe. This edition also includes a chronology and notes."--BOOK JACKET.

Contents

• The First Book: 269
• The Second Book: 374
• The Fifth Book: 525

About the author

One of the leading humanist writers of the French Renaissance, Rabelais was at first a Franciscan and then a Benedictine monk, a celebrated physician and professor of anatomy, and later cure of Meudon. The works of Rabelais are filled with life to the overflowing, hence the term "Rabelaisian." His principal protagonists, Gargantua and his son, Pantagruel, are appropriately giants, not only in size, but also in spirit and action. The five books of their adventures are separate works, containing, in different measure, adventures, discussions, farcical scenes, jokes, games, satires, philosophical commentaries, and anything else that a worldly, learned man of genius such as Rabelais could pour into his work. His style is innovative and idiosyncratic, marked by humorous neologisms made up from the learned languages, Greek and Latin, side by side with the most earthy, humble, and rough words of the street and barnyard. His Gargantua, published in 1534, satirizes the traditional education of Parisian theologians and, in the Abbe de Theleme episode, recommends a free, hedonistic society of handsome young men and women in contrast to the restrictive life of monasticism. The gigantic scope of Rabelais's work also reflects the Renaissance thirst for encyclopedic knowledge.

Bibliographic information

• Title: Gargantua and Pantagruel
• Author: François Rabelais
• Translated by: Burton Raffel
• Publisher: W. W. Norton & Company, 1990
• ISBN: 0393308065, 9780393308068
• Length: 623 pages
• Subjects: Fiction / Classics; Fiction / Literary; Fiction / Satire; Literary Criticism / General