Gaston de Latour: The Revised Text

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ELT Press, Jan 1, 1995 - Fiction - 329 pages
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"Scarcely two years after Walter Pater's death, Macmillan & Company published Gaston de Latour: An Unfinished Romance. The author of works critical to the formation of the Transition and Modernist periods set his last novel in the turbulent years following the Reformation. Selected chapters first appeared serially in Macmillan's Magazine and the Fortnightly Review, but the posthumous volume edited by Charles L. Shadwell, Pater's long-time friend, remains controversial. For a century readers have seen only a portion of what Pater wrote for Gaston de Latour. Shadwell withheld six manuscript chapters." "Pater's prominence and widening influence in late-nineteenth and early twentieth-century studies makes those missing chapters more intriguing than ever. ELT Press is pleased to publish this long-awaited new edition Gaston de Latour: The Revised Text. Edited from the holographs and based on definitive material incorporating all known fragments, The Revised Text includes the crucial suppressed chapters."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

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Contents

List of Illustrations P
ix
Introduction Pp xviixlvi
xvii
A Clerk in Orders P
1
Copyright

6 other sections not shown

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About the author (1995)

Walter Pater (born August4, 1839) was an Englaish essayist, critic and writer of fiction. He attended Queen's College, Oxford. His earliest work, an essay on Samuel Taylor Coleridge, appeared in 1866 in The Westminster Review; Pater soon became a regular contributor to a number of serious reviews, especially The Fortnightly, which published his essays on Leonardo da Vinci, Pico Della Mirandola, Botticelli, and the poetry of Michelangelo. All were included in his first, and perhaps most influential, book, Studies in the History of the Renaissance (1873; reissued as The Renaissance, 1877). In 1885 Pater's only novel, Marius the Epicurean, appeared. Ostensibly, Marius is a historical novel, set in the time of Marcus Aurelius and tracing the philosophical development of its young protagonist and his gradual approach to Christianity. Practically, however, Marius is more a meditation of the philosophical choices that confronted Pater, or any thinker, during the late Victorian period. In light of the work's underrealized characterizations and the lack of any but intellectual action, it is difficult to justify calling it a novel in the usual sense of the term. Yet, as a highly polished prose piece, and as an argument for an austere yet intensely experienced way of life, it holds a singular place in Victorian literature. On July 30, 1894 Pater died suddenly in his Oxford home of heart failure brought on by rheumatic fever, at the age of 54. He was buried at Holywell Cemetery, Oxford.

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