A Memoir of Gaudier-Brzeska

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New Directions Publishing, 1970 - Art - 147 pages
Ezra Pound's book on the French sculptor Henri Gaudier-Brzeska was first published in 1916. An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier--a sculptor to the last--carved a madonna and child from the butt of a captured German rifle, just two days before he died.
 

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Contents

XII
95
GAUDIERBRZESKA
102
ANALYSIS OF THIS DECADE
111
XIII
118
XIV
124
XV
125
XVI
126
PARTIAL CATALOGUE OF THE SCULPTURE
128

V
44
VI
51
LETTERS TO ME
55
LETTERS TO MRS SHAKESPEAR
66
LETTERS TO EDWARD WADSWORTH
72
THE FRIENDSHIP WITH BRODZKY
75
XI
81
THE DRAWINGS
131
XIX
134
PREFACE TO THE MEMORIAL EXHIBITION 1918
136
A POSTSCRIPT 1934
140
PEREGRINATIONS 1960
146
Copyright

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About the author (1970)

New Directions has been the primary publisher of Ezra Pound in the U.S. since the founding of the press when James Laughlin published New Directions in Prose and Poetry 1936. That year Pound was fifty-one. In Laughlin's first letter to Pound, he wrote: Expect, please, no fireworks. I am bourgeois-born (Pittsburgh); have never missed a meal. . . . But full of 'noble caring' for something as inconceivable as the future of decent letters in the US." Little did Pound know that intothe twenty-first century the fireworks would keep exploding as readers continue to find his books relevant and meaningful.

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