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Popular music gender equality and the antiapartheid struggle
The Musical Text as Confessional Space
A Dcconstructive Reading of Hubert du Plessiss
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active aesthetic African cultures African music Afrikaans apartheid Arnold van Wyk artistic black musicality Cape Town choral Christopher colonial composition context creative criticism Daddy Dagboek Dance deconstruction Dertiger discourse dominant Drum Eastern Cape emotional example Express female feminine feminist freedom songs Gender and Sexuality Gladstone Hendrik Hennie Aucamp homosexual Hubert du Plessis human ideology Jacques Derrida Johannesburg Kaffir kiba Lammie language literary London Louw Lovedale male Malibongwe marabi Marais masculine Matshikiza's writing meaning Meki Nzewi melodic metaphor metaphysical mijn modern mother musical arts musician musicology narrative nationalist performance Peter Klatzow piano pieces play Plessis's De Bruid poem poetry poets political Popular Music practice reading Reen resistance role Rosa Nepgen Rosa's singing social society South Africa South African jazz Stephanus Muller structures struggle theory Thomas McCarthy Todd Matshikiza tonal traditional University of Pretoria University of Stellenbosch University Press Victorian Western woman women composers Wyk's Zaidel