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Presentation by Paul Willemen 1
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aesthetic analysis articulated audience auteurism Barthes belief BFI Study Unit body Cahiers du Cinema characteristic characters Christian Metz cinematic institution cinematic signifier codes coherence comedy component constitute construction context contradiction conventions defined desire detective film detective genre diegesis diegetic discourses discussion display Dracula economic elements equilibrium example exhibitionism existence extracts available fact fetishism fetishistic fiction film maker film theory firstly forms framework Frank Tashlin function fundamental gags gangster film Hence Horizons West horror film iconography ideology industry inscribed instances involved Kitses mainstream cinema mainstream narrative male marked McArthur means melodrama Metz modes monster musical narrative cinema notion organisation particular Paul Willemen phantasy pleasure precisely problem production regime relation repetition and difference Roland Barthes role Ryall scopophilia Screen Education semiotic sexual identity simply simultaneously specific spectacle spectator structure suspense tension thriller Underworld USA verisimilitude voyeurism western Yuri Lotman