Geopolitics of the Visible: Essays on Philippine Film Cultures
An anthology of essays about Philippine cinema which seeks to illuminate issues of transparency of power and power relations. It lays bare the geopolitics of the visible in order to render the almost invisible working operation that makes both visibility and invisibility possible.
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About the Contributors
Alfred W McCoy
Agui Aguinaldo Aliwan Paradise American Andres Bonifacio anting-anting Aquino Asia Asian audience Back to Bataan Balintawak body camera capital capitalist character Chinese Chinese Filipinos claim colonial context critical critique cultural death Delgado Delia desire discourse domestic helpers domestic workers domination economic EDSA Elsa essay ethnic fans Fatima Buen Filipino film's filmmakers Flor Contemplacion Flor Contemplacion Story Flor's force Foucault Geopolitical global Helen Gamboa hero Himala Hollywood Ibid ideological Japanese Kidlat Kidlat Tahimik kidnapping labor Lino Brocka lives Madden Manila Marcos Maricris mass Maximo military movie Nardong Putik narrative Nora Aunor Noranian Nunal Orapronobis overseas contract workers Pacific Pax Americana Philippine cinema Philippine-American Philippine-American War played political popular postcolonial production Quezon City relations representation revolutionary role Sarah Balabagan scene sexual shot social society soldiers space structures struggle symbolic Tagalog Tahimik taong labas television Third World tion transnational violence women