George Gershwin

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Yale University Press, Dec 14, 2010 - Composers - 216 pages
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In this welcome addition to the immensely popular Yale Broadway Masters series, Larry Starr focuses fresh attention on George Gershwin's Broadway contributions and examines their centrality to the composer's entire career. Starr presents Gershwin as a composer with a unified musical vision--a vision developed on Broadway and used as a source of strength in his well-known concert music. In turn, Gershwin's concert-hall experience enriched and strengthened his musicals, leading eventually to his great "Broadway opera," "Porgy and Bess. "Through the prism of three major shows--"Lady Be Good "(1924), " Of Thee I Sing" (1931), and" Porgy and Bess" (1935)--Starr highlights Gershwin's distinctive contributions to the evolution of the Broadway musical. In addition, the author considers Gershwin's musical language, his compositions for the concert hall, and his movie scores for Hollywood in the light of his Broadway experience.

 

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Contents

Foreword
Acknowledgments
Notes
In Search of Gershwins Style
The Showman in the Concert Hall
Of Thee I Sing
Porgy and Bess in Catfish Row
An Unintended Hollywood Coda
Credits
Copyright

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