Georges Seurat: The Drawings
Jodi Hauptman, Karl D. Buchberg
Museum of Modern Art, 2007 - Art - 269 pages
Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and luminous works on paper played a crucial role in his short, vibrant career. This comprehensive publication surveys the artist's entire oeuvre, from his academic training and the emergence of his unique methods to the studies made for his monumental canvases. Accompanying the first exhibition in almost 25 years to focus exclusively on Seurat's drawings, this volume presents approximately 130 works, primarily the artist's incomparable conte drawings along with a small selection of oil sketches and paintings. In an effort to bridge the seemingly opposite goals of description and evocation, Seurat masses dark and light tones to abstract figures, exploits medium and paper to amplify radiating light, and engages with the Parisian metropolis, revealing urban types, the industrial suburbs and nineteenth-century entertainment. Though Seurat is perhaps best known as the inventor of Pointillism, this volume demonstrates his tremendous achievement as a draftsman and his fundamental importance to the art of the twentieth century. It includes carefully selected details of the work, as well as reproductions from pages of Seurat's sketchbooks, which have never before been published. Texts by Jodi Hauptman, Karl Buchberg, Hubert Damisch, Bridget Riley, Richard Shiff and Richard Thomson address specific aspects of Seurat's techniques, materials, and subject matter. They are rounded out by a chronology, a selected bibliography and a detailed checklist.
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1883 Conte crayon Aman-Jean areas Art Gallery Art Institute Art Museum artist Asnieres Bridget Riley cafe-concert drawings Camille Pissarro Chahut chalk on paper Charles Angrand Charles Baudelaire Collection H Concert Europien Courbevoie crayon and white crayon on paper dark dessin dots edges Emile Verhaeren exhibition figure Georges Seurat gillotage Gogh gouache gouache on paper Grandcamp Grandejatte Graphite on paper Guggenheim Museum Gustave Kahn Herbert Honfleur Institute of Chicago Jatte laid lines laid paper Landscape layer light material medium method Metropolitan Museum Michallet paper Modern Art Musee d'Orsay Museum of Art Museum of Modern National Gallery Oil on canvas Oil on wood painter painting panel paper 12 paper 9 Paris Paul Signac pictorial pigment Poseuses Private collection ragpicker representation Richard Thomson Robert Seurat's drawings sheet singer Solomon strokes study for Baignade surface texture Theatre Libre tion tonal tone vertical white gouache Woman Woodner York