Distributed Art Pub Incorporated, 2005 - Art - 56 pages
Since the late 60s, Gerhard Merz has been developing a concept of painting that is strongly influenced by Formalism and architectural Modernism--a concept he refers to as "archi-painting." In this most recent exhibition catalogue, Merz employs the notion of emptiness to evolve into experiential reflection, as his allusive paintings and architecture are augmented by fragments of text.
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