Gerhard Richter

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Eds. Dis Voir, 1995 - Art - 126 pages
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This thoughtful entry in the new Plastic Arts Collection from Editions Dis Voir provides a long-overdue examination of the ways cinema has fueled Richter's complications of the boundary between painting and photography. A valuable introduction for anyone interested in the historical roots of this extraordinarily protean artist.

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Contents

The Open Secret
9
The Photographers Hand
29
Photography Painting and the Real
53
Copyright

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About the author (1995)

Koch is Professor of Film and television at the Ruhr-University in Bochum.

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