Goethe: Musical Poet, Musical Catalyst: Proceedings of the Conference Hosted by the Department of Music, National University of Ireland, Maynooth, 26 & 27 March 2004

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Lorraine Byrne
Peter Lang, 2004 - Music - 375 pages
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Contents: Susan Youens: Preface - Otto Biba: Goethe's Presence in the Vienna Music Scene of his Era - Lorraine Byrne: Goethe and Zelter: An Exchange of Musical Letters - Claus Canisius: G the and Beethowen: Men of Genius between Distance and Affinity - Amanda Glauert: 'Ich denke dein': Beethoven's Retelling of Goethe's Poetry - Moray McGowan: Fidelio and Faust in the German 'Wende' of 1989/90 - Jan Smaczny: Goethe and the Czechs - Briony Williams: Bettina von Arnim, Goethe and the Boundaries of Creativity - Gareth Cox: Blumengru und Blumengl ckchen: Goethe's Influence on Anton Webern - Nicholas Boyle: 'Thealogy': Gods, Goddesses, and Wilhelm Meisters Lehrjahre - Julian Horton: Schumann's Requiem f r Mignon and the Concept of Music as Literature - Adolf Nowak: Mignon's Exequies and Aesthetic Reflections of the Liturgy in Music - Se irse Bodley: Mignon und der Harfner.
 

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Contents

Preface
1
Goethes Presence in the Vienna Music Scene of his Era
7
An Exchange of Musical Letters
41
Men of Genius between Distance and Affinity
69
Beethovens Retelling of Goethes Poetry
100
Goethe and the Czechs
159
Bettina von Arnim Goethe and the Boundaries of Creativity
185
Blumengrufiund Blumenglockcherr Goethes Influence on Anton Webern
203
Amanda Glauert
270
Mignons Exequies and Aesthetic Reflections of the Liturgy in Music
272
Mignon und der Harfner
289
Appendices
346
Fidelio and Faust m the German Wende of 198990 126
347
Goethe and the Guitar
352
This
354
Index
365

Gods Goddesses and Wilhelm Meisters hehrjahre
225
Schumanns Requiem fur Mignon and the Concept of Music as Literature
242

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