Gothic Motifs in the Fiction of William GibsonGibson's startlingly new form of science fiction opens inner vistas through his sense of how technological development increasingly removes the boundaries between the realms of the imagined and the real. This important new study focuses on the visual elements in Gibson's work, suggesting how his extraordinary mindscapes are locatable in terms of both gothic and the graphic novel traditions in a subtle interweaving of physical and virtual space that creates new forms of spatial being. Gibson describes the space of the Walled City as Doorways flipping past, each one hinting at its own secret world: Tatiani G. Rapatzikou's thoughtful analyses of those secret worlds will fascinate all those who have wondered where these fictions have come from-and where they may be headed. |
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Sommario
Chapter | 37 |
Neuromancer | 75 |
Chapter Four | 111 |
Chapter Five | 139 |
Chapter | 175 |
Conclusion | 211 |
Interview with William Gibson | 217 |
231 | |
245 | |
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Parole e frasi comuni
according actually aesthetic alternative analysis appears architectural artificial artistic attempt becomes Bridge caused changes chapter characters confrontation construct contemporary creates creation culture cybernetic cyberpunk cyberpunk science fiction cyberspace cyborg dark depiction described effect electronic elements emergence emphasis Engine example existence experience expression eyes fantastic fear feeling female fragments function future Gibson's gothic graphic novels grotesque historical human body idea imagination individual interpretation kind layer leads light literary look machine materiality meaning mechanical metafiction metaphor mind Mona Lisa Overdrive motifs movement multiple narrative nature object offers organic past patterns person physical postmodern presented production readers reading reality reference relation representation reveals science fiction seems sense shape social sort space spatial story structure suggested surface symbol techniques things transformation uncanny urban virtual vision visual writing
Riferimenti a questo libro
The Routledge Companion to Gothic Catherine Spooner (Ph. D.),Emma McEvoy Anteprima non disponibile - 2007 |