Grain Of Sand
A timeless tale of complex emotional relationships from an acknowledged master Soon to be a major motion picture directed by Rituparno Ghosh, Chokher Bali is Nobel Prize-winning author Rabindranath Tagore’s classic exposition of an extramarital affair that takes place within the confines of a joint family. It is the story of the rich, flamboyant Mahendra and his simple, demure, beautiful wife Asha—a young couple who are befriended by the pragmatic Bihari. Their cosy domestic scenario undergoes great upheaval with the introduction of the vivacious Binodini, a young, attractive widow who comes to live with them. Asha and Binodini become bosom pals. Binodini is initially drawn to Bihari but then begins to respond to the advances of Mahendra, who has become obsessively attracted to her. After several twists and turns, Binodini elopes with Mahendra, leaving the entire family in turmoil. Bihari pursues them to Allahabad and succeeds in bringing them back to Kolkata, but the question remains: can a marriage that has once been ruptured by breach of trust be mended again into a meaningful relationship? On the one hand, A Grain of Sand: Chokher Bali is a sensational account of two illicit relationships: Mahendra’s infatuation with Binodini which blinds him to everything else, and Binodini’s secret passion for Bihari of which she is never able to speak. On the other hand, it is a complex tapestry woven by the emotional interplay between five finely etched characters: the impulsive Mahendra, his adoring mother Rajlakshmi, the frail and sensitive Asha, the strong, silent Bihari, and the self-willed and irresistibly attractive Binodini. A compelling portrayal of the complexity of relationships and of human character, this landmark novel is just as powerful and thought-provoking today as it was a hundred years ago, when it was written.
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Allahabad angry Annapurna Anukulbabu Asha felt Asha’s aunt aunt’s Aunty Barasat began Behari Behari-thakurpo Beharibabu Binod Binod-bouthan Binodini asked Binodini sat Binodini took Bou-ma Bouthan carriage child Chokher Bali Chuni dark doesn’t door everything eyes face feel feet forgive gaze Ghare Baire girl glance gone hands happy he’d head heard household hurt husband Kolkata lakshmi leave letter look Mahendra asked Mahendra felt Mahendra sat Mahendra’s heart Mahendra’s room Mahin Mahin da married meal Mejo-bou mind Mother mother’s never night novel once paan Poison Tree Rabindranath Tagore Rajlakshmi romance rushed sent shame she’d sigh silent sleep smile spoke stay stepped stood stopped suddenly Suryamukhi Tagore Tagore’s teapoy tears tell terrace Thakurpo There’s things thought tried turned Vasant village walked wasn’t What’s widow wife wish woman won’t words Yamuna