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CHAP PAGE Preface
The beginning of Modern Music II
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appreciate artist audience Bach Bach's ballet bass became Beethoven brass instruments called chapter character choral church music clavichord colour comedy comic opera composer dance dramatic eighteenth century England English Europe expression famous folk-music folk-song French fugue German Gregorian Gurre-Lieder Handel harmonies harpsichord Haydn heard Henry Purcell horn Hungarian idea important inspired instru Italian opera Johann Johann Sebastian Bach Joseph Haydn keyboard keyboard instruments kind of music Kodaly later listen lived look major scale melodies ment modern movement Mozart musicians nature nineteenth century notes octave opera-house oratorio orchestra organisation patterns performed period Philip Neri piano pianoforte pieces play players popular principle programme music Purcell realised recognise Richard Wagner Rome scale Schoenberg shown singers singing sonatas songs sound story string quartet style symphony techniques theatre thought tonal tone tradition trombone trumpet tube tunes Vienna violin voice Wagner words wrote