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Acknowledgements and Editorial Notes
Problems Gaps Anomalies
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action actors Amleth appears audience avenger become bourgeois Bradley's century character characterisation claim Claudius co-ordination contradiction contrast court critical death delay Denmark disgust Elizabethan emphasise Empson essay evidence explanation father feigned madness fictional Fortinbras Gertrude ghost hero Horatio Horwendil human Ibid ideological incestuous inconsistency interpretation introspective irony J. M. Robertson kill Claudius King Hamlet Knights L. C. Knights Laertes literary London Macbeth material melancholy modern moral mother mystery nature objective correlative Oedipus Complex offered opacity Ophelia paradox partly performed play's players plot Polonius prince problem problematic protagonist reader realism reason reflects reproaches revenge drama Reynaldo role Rosencrantz and Guildenstern says scene sceptical Second Quarto seek seems sense sexual Shakespeare Shakespeare's Hamlet Shakespeare's plays Shakespearian slain soliloquy solution Spanish Tragedy speculation stage stereotypes T. S. Eliot text of Hamlet textual theatre theatrical thematic theme There's throne Titus Andronicus traditional Ur-Hamlet usurper vengeful Waldock William Empson William Shakespeare