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Romantic and psychological approaches
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action analysis antic approach argue audience authentic authority avenge awareness Belsey bernardo Bradley Bradley's Brecht character Claudius comedies conscience Coriolanus court critical culture death decorum defined Denmark derives describe Dover Wilson Dr Johnson drama Eliot Elizabethan Elsinore evil example experience father feel figure Fortinbras Frye genres Gertrude Ghost hamartia Hamlet Hattaway Heinemann 1985 historical Horatio i.ii ideal ideas ideological assumption ideology inscribed iv.vii Jenkins judgement justice kind king Knight Laertes language meaning melancholy metaphor misogyny modern moral moreover mother Mousetrap murder nature notion Ophelia particular performance perhaps play's players plot political Polonius prince problem Pyrrhus reader reading reality Renaissance revenge revenge plays Revenger's Tragedy role romantic Rosencrantz and Guildenstern scene seems seen sense sexual Shakespeare Shakespearean Tragedy signified soliloquy spectators speech stage directions Stratford production T. S. Eliot tends theatre theatrical things tragedy tragic hero vengeance Wilson Knight words writing wrote