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Stage and Text
Psychology of Revenge
Madness and Metadrama
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acting company action actor Amleth appears argued assume audience authentic aware behaviour Bertolt Brecht Brecht Cambridge century character clowns complex concept consider contemporary context convention courtly cultural death DISCUSSION disgust dramatic edition Elizabethan theatre emotions example expressing father feeling Folio text Fortinbras Gertrude Gertrude's ghost Graham Holderness gravediggers Hamlet and Claudius Hamlet's madness historical Horatio idealised ideological images of Hamlet imagination interpretation Jacobean kill Claudius kind king L. C. Knights Laertes language London meanings Menston metadramatic Methuen mind modern moral mother murder nature old Hamlet Ophelia passion performance perhaps play Hamlet play's players Polonius popular Prince of Denmark problem production prose question readers regarded relationship Renaissance representation revenge role Rosencrantz and Guildenstern Royal Shakespeare Theatre satire scene Second Quarto seems sense Shakespeare Shakespeare our Contemporary Shakespeare's play simulated skull soliloquy spectators speech story Terry Eagleton Terry Hawkes theatrical tradition tragedy William Shakespeare